Volume
Installations 2005 - 2022
“With wit and an ironically dispassionate lens, Smith’s focus reaches far beyond the aisles and shelves of your local library… By focusing on the minutiae of the magazine stacks, and blowing them up, Smith heralds the benefits of open minds and a democratic tradition. It its more than just educative to watch her read rather than judge a book by its cover.”
–– Don Abbot, Art New Zealand
Large scale installations from the Volume series, coined Collocations, deal with with themes of association and disassociation. The titles, repeated one after the other on the library shelves, represent a cultural heritage, a kind of serial aspiration. Their incantatory power suggests that identity and culture have always been a matter not of neat categories, but of vague associations.
Collocation No. 12 (TIME I), 2009. Installed at Marty Walker Gallery, Dallas, TX. Archival pigment prints on canvas, four 81x54 in / 2060x1370 mm panels
Collocation No. 12 (TIME I), 2009. Installed at Marty Walker Gallery, Dallas, TX. Archival pigment prints on canvas, four 81x54 in / 2060x1370 mm panels
Collocation No. 17 (VOGUE), 2010. Installed at Land of Tomorrow, Louisville, KY
Collocation No. 3 (LIFE), 2007. Three 60x40 in / 1520x1020 mm panels
Collocation No. 18 (MANA), 2022. Installed at Sanderson Contemporary. Auckland, NZ
Collocation No. 17 (OCEANIA), 2020. Installed at Sanderson Contemporary. Auckland, NZ
Collocation No. 1 (MONEY) + Collocation No. 2 (POWER), 2005. Installed at Jon Oulman Gallery, Minneapolis, MN
Collocation No. 2 (POWER), 2005. Installed at Jon Oulman Gallery, Minneapolis, MN
Collocation No. 1 (MONEY), 2005. Installed at Jon Oulman Gallery, Minneapolis, MN
Collocation No. 4 (TODAY), 2007. Installed at Ellen Curlee Gallery, St. Louis, MO